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【观点】关于《空故纳万境》的拍摄

2015-08-28 17:00:23 来源:艺术家提供作者:刘商英、盛洁
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  关于《空故纳万境》的拍摄构想

  自然的冷漠与壮阔让我感觉绘画本身的无力,而我恰恰又追随其中并在那里绘画。我与它相处,与它搏斗。我想留在那里,也想将它带走。那是一种心底深处的活动,复杂而矛盾。在阿里,我体验着人与自然、艺术与自然这些古老命题的质感,那是从未有过的感受,也终将不会有答案。因此,我萌生用动态的影像锁定那段谜一般混沌的空间与时间,在那里,人、自然、艺术相生相融。

刘商英

2015年春

  关于录像《空故纳万境》

  这不是一个纪录片也不是一部电影,没有需要解释的情节,也没有需要特别详细的叙述。所有的情节和信息都已饱满地存在于影像里,而在这个影像里我最想体现的是一种“心境”。在高海拔的自然环境里,“美”是一种清澈见底的照射,我们能看见更多的是自己——那个在努力呼吸的肉身不断被出乎意料的变幻景致所吸引和为之惊奇。在那整个工作过程里,我们必须接受的一个巨大改变就是丢弃以前做事的习惯,这也让工作在进行的时候越来越接近初衷,更加极致而真实。那个更好的心境在视频和声音里存留着。风声,雨声,鸟声,水声,火声,呼吸声,画画声以及固定画布的金属架在风中类似管乐的效果,那是自然的和声,是一场犹如修行的工作。

盛洁 写于2014年5月北京


  Notes to Myriad Visions Rise from the Void

  Nature, cold and vast , tells me how vulnerable painting is, but I followed it and did my painting there anyway. I get along with it, and I battle with it;       I wish to stay there and I wish to take it along with me. It is something in the depth of my heart, complicated and ambivalent. In Ali, I was feeling the texture of such ancient questions as to how man and nature, art and nature, are related. It gave me something I'd never experienced, and there wouldn't be any answer. I therefore came upon the idea of freezing in these moving images that fragment of mysterious and chaotic time and space in which man, nature and art generate and mix with one another.

Liu Shangying

Spring 2015

  About Myriad Visions Rise from the Void

  In this video, neither a documentary film nor a film in a strict sense, there is almost no need to explain the plot or narrate in detail, and both the plot and  information are fully included in the images which are my ideal representation of "the state of mind". In a place of such high altitude, "beauty" becomes crystal reflection in which nothing is revealed more than ourselves-the physical bodies that were breathing heavily were continuously attracted and surprised by the landscapes that kept changing unexpectedly. There we had to give up our working habits. It was a big change that led closer and closer to our original intention, more extreme and genuine. The better state of mind is stored in the video and sound. The wind, the rain, the birds, the water, the fire, the breath, the painting, as well as the the metal racks that produced sounds like wind music, all contributed to the natural harmony, turning it into a disciplining working process.

Sheng Jie

May 2014, Beijing

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